Publishing

Format and Length of Program

Publishing (Concentrations in ePublishing, Editing and Writing, Concentration in Production and Design, Concentration in Marketing and Sales)

  • 13 week traditional semesters in the fall and spring
  • Start dates in September and January, 7-week summer sessions (summer I and summer II)
  • Rolling Admissions
  • Classes are held Monday - Thursday from 6 p.m. -9 p.m.
  • $650/credit hour
  • 36 credits

Philosophy and Program Options

Our Publishing program is at the forefront of the field. Practicing publishing professionals from all aspects of the field will not only teach, but assist you in getting your start in this complex field. The new, cutting-edge certificate in ePublishing is taught by the most exciting new leaders in this exploding field. As a student of new media publishing, you will be assisting your faculty as they create the new media, in all aspects from content creation, to design, and marketing. This is higher education at its best, where student work is not just academic, it's a contribution to knowledge and advancement of a field in the making.

Members of our graduate faculty warmly welcome your interest in our Publishing programs. We offer a wide range of courses that will teach you about all aspects of the publishing industry, including book, magazine, newspaper, and electronic publishing. Whether you are already working in the industry and wish to improve your job growth prospects and/or switch to another segment of the industry, or you are hoping to enter publishing for the first time, we provide educational opportunities to help you achieve your goals.

The publishing industry is in a time of rapid change fostered by recent technological developments. These changes are opening new opportunities within the industry, while also creating a need for employees with an expanded and up-to-date skill set. Rosemont can help you prepare for this new publishing environment. We've also added a new five-course program in ePublishing (which can also be taken as a stand-alone certificate). This program offers a comprehensive study of this burgeoning area of publishing.

Our faculty members have the practical, hands-on expertise you need to gain a competitive edge in your chosen career. As a student, you will enjoy the opportunity to study your craft with experts in the publishing industry, both faculty and visiting lecturers. At Rosemont, you will choose from multiple courses at a variety of levels in three concentrations: Editorial & Writing; Production & Design; and Sales & Marketing.

You will also be able to take advantage of the program's close affiliation with Rosemont's graduate programs in creative writing and business where you can take elective courses. We understand that you are a busy adult with many other commitments in your life, so we keep our course scheduling as flexible as possible. We meet in the evenings and on weekends throughout the calendar year. Our classes are small and our approach is personal.

Program graduates have been highly successful in obtaining and advancing their careers in all aspects of the creative enterprise; as editors, proofreaders, columnists, agents, managers, production managers, designers, sales representatives, writers, teachers, and marketing directors.

36 credits within the major, including a thesis or capstone project:

Certificate in ePublishing

The certificate in ePublishing can be earned in conjunction with the M.A. in Publishing Programs or as a stand-alone certificate.

Rosemont's new ePublishing certificate, developed in partnership with The New York Times Knowledge Network, provides the tools you need to navigate this era of rapid technological change and growth. Five, up-to-the-minute, three-credit, accelerated, online courses comprise the Graduate Certificate in ePublishing that will prepare you to work in a variety of ePublishing sectors. You can take the courses individually and in any order. Courses are taught by leading professionals in each of the fields.

  • Introduction to ePublishing
  • Content Creation
  • Principles of Design for ePublishing
  • Marketing and Promotion
  • Sales and Distribution

The Master of Arts in Publishing Programs requires 36 credits within the major.

  • Two 3-credit required courses (6)
  • Five 3-credit courses within one concentration (15) 
  • Two 3-credit Electives in publishing outside of the concentration (6) 
  • Two 3-credit Electives–these are free electives and can be in GPP, CRW, LIT or MGT (6) 
  • Capstone Project or Thesis (3)

Required Courses for all tracks

  • Communications Skills: How to Present Yourself Effectively in Print and in Person
  • Introduction to ePublishing
  • Thesis or Capstone Project

Selected Courses for Concentration and Elective Choices

Editorial and Writing Concentration

  • Magazine Publishing
  • Book Publishing Overview
  • Contemporary Literature & Publishing for Children
  • Medical Publishing

Production and Design Concentration

  • Essentials of Production
  • Creative Book Arts
  • Digital Imaging
  • Web Design

Sales and Marketing Concentration

  • Marketing and Sales in Book Publishing
  • Getting Attention: Successful PR in Publishing 
  • Building a Brand: How to Create an Author Platform 
  • The Business of Publishing

New classes launching January 2011! Details coming soon.

Publishing Courses

GEP-7200 Book Publishing Overview
A course designed to acquaint the student with a broad overview of the publishing industry -- the jobs, the opportunities, and the inner workings. The goal is to help the student understand the financial and business end of publishing as well as the mechanical details of getting things into published form from an association with printing to the broader meaning of Internet publishing.

GEP-7206 Developmental Editing
Students will learn the basics of developmental editing and project management for a portfolio of books as well as electronic projects, including the duties of a developmental editor; the editorial process from proposal to production; how to evaluate book proposals, sample chapters, and market reviews in order to write editorial assessment reports; and how to develop strong working relationships with authors and internal staff.

GEP-7210 Marketing of the Book
In order to survive in the publishing business, whether from the standpoint of an author, publisher, agent, or editor, one must know how to market the material to the consumer at hand. This course will focus on the marketing approaches of those in the business today, help to identify the particular audience for the specific genres, and ascertain how to reach that audience.

GEP-7220 Magazine Publishing
A consideration of the strategies and game plans at work in the mass magazine marketplace today. Drawing on examples from print, electronic, cyberspace, and traditional media, the course will detail the issues, theories, techniques, and financial realities that determine the success or failure of magazines.

GEP-7223 Newspaper Publishing: An Overview
This course will explore the constantly evolving field of newspaper publishing - from traditional news gathering and news writing to more recent transformations into online reporting, including reader participation. It will explain how newsrooms work and then, through hands-on experiences, show where stories come from and how - by using sources, interviews and research (including the Internet) - to get those stories shaped and into print. Students will learn interviewing and editing techniques, AP style, the legal and ethical ramifications of the field, and how to expand coverage through Facebook, Twitter and similar social networks. They will also learn how to write features, columns and editorials and will be exposed to media beyond the newsroom. The future of the newspaper industry will be explored.

GEP-7225 Legal Issues in Publishing
Writers, editors, agents, and publishing professionals face legal issues such as copyrights, contracts, commercial, privacy and libel law as well as First Amendment questions involving freedom of speech/press and censorship. This course is designed not only to inform the students of the basic legal concepts involved, but also to become competent to examine well and to assess these matters as they arise and then resolve them in practical terms.

GEP-7230 Magazine: Special Topics
A course that is part of the magazine sequence. The topic chosen is related to what is current in the magazine industry at the time the course is offered.

GEP-7235 Publishing Opportunities in Modern Magazines
This course is designed to offer experience to beginning and intermediate writers in publishing in the magazine market, including letters to the Editor, departments, fiction, personal essays, features, and poetry. Discussions will cover finding and evaluating appropriate markets for a writer's work, approaching editors with well-crafted queries, negotiating contracts, and delivering quality work. Students will write and prepare a manuscript for submission to a magazine of their choice.

GEP-7245 Contemporary Literature & Publishing for Children
In this course, we will survey past and present American literature for children and adolescents. We will study the various genres of children's books and learn about various trends in publishing books for children and teens. Students should be prepared to read a large number of children's books over the course of the semester.

GEP-7260 Maintain and Operate a Small Publishing Company
This course will orient the students in the practical information application of running their own small publishing company. It will follow the stages of setting up a company, then of following a book through all aspects of production, marketing and sales. Emphasis would be put on the importance of choosing a niche market to allow for reduced marketing and advertising expenses.

GEP-7317 Creative Book Arts
A project-based course that bridges writing and creative design through the medium of the book. The course is an opportunity for students to push their creative capacity by exploring the content of writing, the stylistics of design and the sensual possibilities that link the two. Students explore different avenues by completing a series of assignments over the course of the semester that culminates in a final project. The course is comprised of equal parts writing, design and exploration, thereby pushing the definition of "book" to new limits. This course is designed to offer students an environment in which they can take new risks, learn from these risks, and apply the resulting knowledge to the development of their thesis. Traditional and non-traditional binding techniques and treatment of paper will be explored, as well as various other techniques, including but not limited to hand sewing, carbon transfer, scanning, use of found objects, wearable and/or edible books, and installation art.

Design Courses

GEP-7300 Digital Foundation (Prerequisite for all other design courses)
A foundation course that provides a thorough overview of the industry standard computer software for electronic illustration, page layout, and photo composting. Students will be led through the features of QuarkXPress, Adobe Illustrator, and Adobe Photoshop by working on in-class exercises. Students will be expected to take copious notes on each demonstration of the software, for the information will be used as a basis for any future digital courses.

GEP-7305 Elements of Design
An introduction to basic layout and design principles, including composition, space, color, application of design grids and use of illustration, graphic, and photographic images. The fundamentals of typography will also be explored, including language structure, usage, and information hierarchy. Skills learned will be applied to a required publication design project.

GEP-7310 Essentials of Production
An overview of the mechanics of publishing from manuscript to printed product. Areas of emphasis include design and typesetting requirements, paper selection, halftones and color separation, printing bids, printing and binding methods, and scheduling. Field trips to one or more printing plants may be arranged.

GEP-7315 Visual Literacy: The Language of Image
Embedded in the arts are crucial communication and problem solving skills. The language of image can often communicate what we cannot express in words and opens us to additional knowledge and understanding. This class, specifically developed for the non-artist, will reveal those skills and translate them into creative tools for the workplace.

GEP-7317 Creative Book Arts
A project-based course that bridges writing and creative design through the medium of the book. The course is an opportunity for students to push their creative capacity by exploring the content of writing, the stylistics of design and the sensual possibilities that link the two. Students explore different avenues by completing a series of assignments over the course of the semester that culminates in a final project. The course is comprised of equal parts writing, design and exploration, thereby pushing the definition of "book" to new limits. This course is designed to offer students an environment in which they can take new risks, learn from these risks, and apply the resulting knowledge to the development of their thesis. Traditional and non-traditional binding techniques and treatment of paper will be explored, as well as various other techniques, including but not limited to hand sewing, carbon transfer, scanning, use of found objects, wearable and/or edible books, and installation art.

GEP-7320 Publication Design (Prerequisite: Elements of Design/GEP 7305)
A more in-depth study of design and layout principles with an emphasis on conceptual development, which will be applied to a range of publication design projects.

GEP-7325 Digital Design for Print
A course that teaches the student how to take the basic traditional design principles of composition, space, and color and how to apply digital imaging and layout techniques using Adobe Photoshop, Adobe Illustrator, and QuarkXPress. Adobe Acrobat will also be covered as the new standard for preparing files for print. The student will work on more in-depth projects that will encompass the use of proper color management and the preparation of files for specifications, output options, and preparation of files for pre-press and separations.

GEP-7335 Foundation of Web Design
A foundation course that provides an introduction to designing for the Web. The primary focus of this class will be learning the HTML language. The features of Web editing software will also be covered. Students will create a Web page, paying strict attention to designing a logical interface. There will be critiques on evaluating well-designed navigation and stacking order, which allow for better navigation for the user.

GEP-7336 Advanced Web Design (Prerequisite: Foundation of Web Design/GEP-7335)
A course in advanced Web programming language. Topics will include Java Script, DHTML, cascading style sheets, frames, and flash animation. Real world Web projects will be completed in this class, including creating interactivity with forms. Discussions will include the contrasts between publishing for print versus publishing on the Web.

GEP-7337 Digital Design for the Web (Prerequisite: Digital Foundation/GEP-7300)
A course that focuses on taking basic design principles of composition, space, and color and applying them to designing for the Web. Topics will include: creating Web-safe color, reducing file sizes, preparing images for the Web, and using typography and animations. Students will critique existing Web sites for the effectiveness from a conceptual and design point of view.

GEP-7340 Digital Video for the Web
A foundation course that will cover the basics of creating your own video. Students will be given a CD with raw video footage and will learn the techniques of editing with computer software. Inputting and editing sound will also be covered. Students will also be given the opportunity to use a video camera and learn how to input the video into the computer. The final product will be learning how to take the video and turn it into a quick time movie.

GEP-7341 Advanced Digital Video (pre-requisite: GEP-7340 Digital Video)
An intermediate course that will cover more advanced techniques for creating digital video. Students will gain experience using the editing software FinalCut Pro to edit and create digital movies.

Special Topic Courses

 

GEP-7215 Publishing Internship
An on-the-job experience in a commercial publishing environment that offers the student training in a variety of editorial, production, or marketing skills. Participation is supervised by a publishing professional from the host publishing organization and by a faculty advisor.

GEP-7430 Independent Study
Eligible students may submit, for review and approval by the program advisor, a written plan for Independent Study that extends their academic and professional work in a direction that program coursework cannot provide. Independent Study plans may not substantially duplicate the content of an existing course, and students must obtain the cooperation of an appropriate faculty supervisor. Open only to matriculated students in good academic standing (GPA of 3.0 or higher) who are within 12 credit hours of graduation; eligible students may earn a maximum of 3 credit hours in an Independent Study format.

Thesis

GEP-7500 Thesis
The thesis is designed as a culminating experience that allows students to undertake original work to reflect and extend the breadth of their graduate program experience. Eligible students choose a topic, secure a faculty thesis advisor, and submit, for review and approval by the program director, a written plan for the thesis project. Thesis is open only to matriculated students in good academic standing (GPA of 3.0 or higher) who are within 12 credit hours of graduation.

Policies & Procedures Related to Thesis

  • Students who are in good academic standing (GPA of at least 3.0) and who are within 12 credit hours of graduation are eligible to undertake their thesis.
  • Eligible students create a thesis idea that is related to their study of Publishing. The completed project should be at least the equivalent of 50 pages in length and explore the chosen topic in depth.
  • Students are responsible for identifying and obtaining the cooperation of a faculty advisor, who will supervise all phases of their thesis-related work.
  • Following input from and discussion with the thesis advisor, students prepare a 1-2 page thesis proposal, and submit this for approval to the program director. Once approved, this proposal is the "blueprint" for the thesis project.
  • After obtaining approval of the thesis proposal, the student may register for GEP-7500. The name of the thesis advisor must be included with the student's registration, and a copy of the approved thesis proposal must be sent to the Office of Graduate and Continuing Studies.
  • Thesis registration is valid for one calendar year. After that time, if the student has not yet completed the thesis, he or she must withdraw from the thesis course. In order to continue work on the thesis, the student must register again and pay all relevant course fees a second time. Thesis registration is subject to the same course registration deadlines that apply to all other courses. Students may register for thesis a maximum of two times. If a student does not complete their thesis project by the end of the second registration period, a failing grade will be given for thesis. A total of 3 thesis credits are required for program completion; additional thesis credits may not be substituted for other program requirements.
  • The completed thesis must be at least the equivalent of 50 pages in length and must explore the thesis topic to the mutual satisfaction of the student and the thesis advisor. Students may not graduate from the program until they have satisfactorily completed their thesis project.

Interim Director - Anne Willkomm

Anne Converse Willkomm was appointed Interim Director of the Graduate Publishing Programs in April 2012 after having served as Program Adviser from November 2010 to December 2011.

She has taught developmental writing and composition at Philadelphia University since 2010, and joined the Rosemont faculty in 2011 to teach writing in the undergraduate college.

Anne is also a freelance editor and author. She has edited grants, brochures, press releases, and books, and her creative writing has been published in The Medulla Review, Postcard Shorts, Fiction365, Sybil Magazine, FlashFiction.net, and The Midwest Coast Review. Several longer works of fiction were twice named semi-finalist in the William Faulkner Creative Writing Competition.

Anne has over ten years of academic fundraising experience both as a professional development officer and as a volunteer. She was Director of Development at the Long Ridge School (Stamford, CT), Development Specialist for Wolf Performing Arts Center (Wynnewood, PA), and served as an Overseer of Berwick Academy (South Berwick, ME). She has also served on capital and annual fund committees for Bowdoin College, Berwick Academy, and Charlotte Latin School (Charlotte, NC).

Anne received her undergraduate degree in Psychology from Bowdoin College in 1987, and her M.F.A. in creative writing from Rosemont in 2010.

Faculty

Our faculty members are dedicated and experienced professionals with a genuine commitment to teaching at the graduate level. Our belief is that students will more readily acquire meaningful skills and knowledge when they're actively involved in the learning process -- through seminars, workshops, discussions, peer critiques, and the hands-on opportunity to practice and perfect their craft.

Richard D. Bank received his B.A. from Temple University and his Juris Doctor from the University of Pennsylvania School of Law. He is the author of six books including The Everything Guide to Writing Nonfiction, published in 2010 by Adams Media. He has published numerous articles, essays, memoirs, commentaries, book reviews and short stories in a wide variety of publications. Richard is a past president of the Philadelphia Writers' Conference and a current Board member. In addition to teaching at Rosemont, Richard has conducted workshops at several writers' conferences and taught writing courses at the University of Pennsylvania, Temple University and Montgomery County Community College.

Elliott batTzedek holds an M.S. in Women's Studies from Minnesota State University at Mankato and B.A.s in English Literature and Creative Writing from Beloit College, and is currently working on an MFA in poetry from DrewUniversity. She has worked as an editor, writer and reviewer for several local and national alternative and community newspapers. For the last eleven years, she has worked with children's books and publishers in education-based nonprofits. Currently, Ms. batTzedek works on the Design Team for the American Reading Company/100 Book Challenge. Her class in Contemporary Issues in Publishing for Children is exploratory, open-ended, and a site for the raising of questions about the nature of publishing, reading, and cultural views of childhood.

Susan DiGironimo is a Philadelphia area artist who graduated from Moore College of Art. She is a successful freelance designer, illustrator, and a certified expert in the digital platform in graphic arts applications. Susan not only creates her own digital work, she has been teaching digital design at area colleges including Moore College of Art, Tyler School of Art, Philadelphia University, and Gloucester Community College for the past 20 years. Susan has been teaching at Rosemont College in both the undergraduate and graduate level for the past 15 years. Susan has also helped artists in the corporate environment stay competitive in a dynamically changing profession.

Mary Kate Doman holds an M.A. in Children’s Literature and Writing from the Gallatin School at New York University and a B.A. in English and Creative Writing from Loyola University in Maryland. She is a Children’s and Young Adult Book Consultant with over ten years experience in children’s publishing. She has worked both in-house and as a freelancer marketing books to the trade and educational markets. She has authored over 20 books for the youth market. Most recently she wrote a series for struggling tween readers titled The Heights (Saddleback, 2011). She currently writes, edits, and consults for major children’s publishing  houses both domestic and abroad. You can see the full extent of her work at www.mkdoman.com.

Ellie Slott Fisher has a B.S. in journalism and an A.S. in landscape design from Temple University and an M.A. from Rosemont College in English and Publishing. She is the author of three books including Mom, There's a Man in the Kitchen and He's Wearing Your Robe (De Capo Press, 2005) and It's Either Her or Me (Bantam Books, 2010) and has appeared frequently on television discussing relationship issues. She is a former reporter and editor of United Press International and has contributed to numerous magazines including CHILD, Parents, Working Mother, Essence and Main Line Today. She teaches writing at Bucks County Community College and at various writers conferences. 

Thomas V. Hartman is a Senior Editor at John Wiley and Sons. He previously headed the book publishing program at the American College of Physicians in Philadelphia and before that was an acquisitions editor and developmental editor at Elsevier.  Mr. Hartman’s experience in publishing also includes editorial and/or Web development work for Harcourt College Publishers, Prentice Hall and Lippincott, Williams and Wilkins. He has served as a Senior Editor and Web Editor at Painted Bride Quarterly and is now an Editor at Large at Stated magazine. A graduate of the University of Pennsylvania (B.A., cum laude, English) and Columbia University (M.A. History of Art), Mr. Hartman is also a former Writing Center Associates Fellow at Georgetown University.

Colleen Hutchinson is a communications consultant with an expert background in medical publishing. She has served as the senior managing editor of leading peer-reviewed medical journals for the last several years, and now operates on a consultant basis for medical education companies, industry clients, and individual medical centers and physicians handling many different types of medical education initiatives and projects. She has been an invited speaker at national and international meetings and has authored chapters in medical texts on the role of media in medicine, surgery, and patient safety, and brings a current focus to a richly historical field of publishing and communications.

Laura Jacoby received a B.S. in Graphic Design/Visual Communication from the University of Delaware. Her professional experience spans design firms, a printing company, teaching, and freelance work. As an agency associate and senior art director for Debra Malinics Advertising, Laura conceives, designs and produces a broad spectrum of design and advertising materials. Projects range from corporate identity/branding, various print collateral, displays, point-of-purchase, and outdoor and transit advertising, to newspaper and magazine advertising for clients in the financial, medical, legal, real estate, travel, manufacturing, government, cultural, and non-profit industries. Other job facets include copywriting and editing, hiring and directing freelance designers, photographers and illustrators, and coordinating all aspects of production and printing. Laura's design work has been published in Print, Communication Arts, Graphic Design USA, and Rockport Publisher's Best Restaurant Graphics 2, and has won several creative awards including Philly Gold and American Graphic Design Awards for Creative Excellence.

Lisa Jobs earned her Bachelor of Arts and Master's of Journalism from Temple University. She operates her own company Healthy Lifestyle Publishing LLC and is the author of Sensational Stevia Desserts (9/05). Lisa has successfully handled the publication and marketing of her book from its initial conception to an effective and ongoing marketing and sales effort. Lisa is also an adjunct professor at local universities, freelance writer and is a contributing author in the book 101 Great Ways to Improve Your Health with Dr. Julian Whitaker. She is often interviewed by television and radio stations, health magazines and online health-related websites and her recipes have been published in various media. Her websites include http://www.healthylifestylepublishing.com/ and http://www.steviadessert.com/.

Anne Kaier (Ph.D. Harvard University) teaches workshops in poetry and in creative non-fiction in the MFA program as well as courses in memoir and contemporary American writers. She received a 2009 Pushcart Prize nomination in non-fiction. A memoir piece is forthcoming from The Gettysburg Review. Her poetry chapbook, InFire (2005) is available from Skintype Press. Her poetry and non-fiction have appeared in many publications, including: Under the Sun, Paradigm, The Schuylkill Valley Journal of the Arts, Philadelphia Poets and the Mad Poets Review. Her work received mention in the Inkwell Poetry Contest; she participated in The Kenyon Review Writers Workshop and has been a featured poet at various venues including the Free Library of Philadelphia and the Kelly Writers House at Penn.

Sarah Mann-O'Donnell teaches theory, literature and creative design at Rosemont. Her areas of special interest include feminist literature, extreme literature, 20th century French philosophy, feminist art history, contemporary art history, sound art, performance art, critical visual practice, and intersections of philosophy, science, literature and art. She earned an undergraduate degree in art from the School of the Museum of Fine Arts, Boston, where she concentrated in new media, performance and critical studies. She then completed a MA with distinction in Gender, Culture and Modernity at Goldsmiths College, University of London. Her dissertation, titled Becoming Alan Turing: Toward a Lived Theory of Difference, considered the early mathematical work of Alan Turing through the lens of French poststructuralist philosophy. A version of the dissertation was recently published by Goldsmiths, and is available for free download on their website. Most recently, she gave a paper extending the argument presented in her dissertation as part of the International Conference on Computers and Philosophy at the Institut Universitaire de Technologie in Laval, France. Sarah's current research interests include movement, mathematics, critical and feminist perspectives on Nancy Drew, and the films of Peter Greenaway. She also maintains her own website.

Janice Merendino earned her B.F.A. in Fine Arts and B. S. in Art Education from Moore College of Art and Design. She has been part of the faculty of Rosemont College since 1980. As creator of The Branch Out Project, Janice conducts workshops in which participants, by learning how to draw, can use the thinking process used in drawing to help them become more creative in their problem-solving. She has given her workshops for major corporations and government agencies (including the U.S. Navy, Wyeth-Ayerst, and TIAA-CREF), numerous community non-profit groups and in schools (both for students and as professional development for teachers). She co-authored two articles on using the arts to stimulate creative thinking in law practices. In 2002 and 2003 The Branch Out Project received a Philadelphia Arts in Education Partnership Grant to work with the Roosevelt Alternative School in Norristown, PA. In addition, Janice is a practicing artist and has exhibited her paintings on paper and ceramic work in several group and solo shows, including a one-woman exhibition in Japan.

Chad Neuman is a professor of journalism, new media, and graphic design at Southeastern University in Lakeland, Florida. He holds a master's in journalism and media studies from the University of South Florida, St. Petersburg, and is pursing a PhD in communication from Regent University in Virginia Beach, Virginia. He has a plethora of experiences in the digital media fields, including Webmaster at a New York Times-owned newspaper and Internet Development Director at an award-winning advertising design firm. Most recently Chad worked as Managing Editor at two graphic design and photography magazines at Kelby Media Group. Chad has written for magazines and designed web sites for over 15 years. He lives in Florida with his wife and daughter and loves surfing, writing on digital technology, and playing soccer.

Maria G. Pisano has an M.F.A. in Book Arts from the University of the Arts in Philadelphia and an M.F.A. in Printmaking from Brooklyn College. Her works have been exhibited widely in museums and galleries. Her book, See Time Run: A Primer was shown in the 26th Print National Exhibition at the Brooklyn Museum of Art. Her works are in numerous private and public collections including the Library of Congress, the American Art Museum and National Portrait Gallery, Harvard University, Stanford University, Princeton University, the New York Public Library, and many more. She has published articles in many book arts publications and has been continually involved in curating exhibits. Pisano teaches all aspects of the book arts, papermaking, printing, bookbinding and conservation.

Frank D. Quattrone, the managing editor and principal writer for Ticket, Montgomery Newspapers' award-winning weekly guide to entertainment and the arts, also paginates the editorial pages of the monthly Art Matters magazine. A long-time college professor (he taught English at Spring Garden College for 24 years), he now teaches courses in journalism part-time at Penn State Abington College and is faculty advisor to The Lion's Roar, the campus newspaper. Since 2002, he has been teaching courses on copyediting, magazine and features publication, book marketing and more in Rosemont College's graduate program in English & Publishing and is the author of the Arcadia Publishing Company's "Images of America" volume called "Ambler."\

Mac Slocum is online managing editor for O'Reilly Media. He holds an MA in journalism from Emerson College and a BA in journalism from the University of Richmond. Mac has been in the digital publishing trenches for more than 12 years, working as an editor, writer, and producer. Through his various positions he has remained committed to digital platforms-the Web in particular-because they empower virtually anyone with an Internet connection to create content and nurture communities. In recent years a lot of Slocum's work has focused on the interplay between digital content, online communities and sustainable business models (yes, they exist!). Slocum has taught graduate and undergraduate courses in journalism and Web technology at Emerson College, and he also worked for a time as an instructional designer. His educational philosophy is simple: it's all about practical application. That means labs and exercises over lectures, and "doing" over "hearing." In this way, Slocum transforms students from passive observers to engaged learners.

All applicants must hold a Bachelor’s degree from an accredited 4-year college or university, preferably with a GPA of 3.0 or higher. Application materials may be obtained from the Office of Admissions or online at www.rosemont.edu. Formal admission to the program is granted only after all admissions materials have been received and reviewed, and all standards have been met.

To apply to the M.A. in Publishing programs, the following must be completed:

  1. Application. Either in paper accompanied by a non-refundable $50 fee, or online where the fee will be waived;
  2. Request that all previous undergraduate (and graduate) institutions send official transcripts to Rosemont; 
  3. Request three letters of recommendation, preferably from those who can address your academic and/or professional competencies; 
  4. For applicants whose native language is not English, official copies of TOEFL scores are required; 
  5. Statement of purpose.
  6. Writing (a business letter or report, for example) and/or design sample
  7. Resume
Statement of Purpose: Please submit an essay (3-5 pages, typed, double-spaced) that
addresses: What brought you to this program? What are your educational purposes
in attending this program? Your professional goals?

Writing/Design Sample: A writing sample of at least 5-10 pages. For those pursuing design, submit a design sample.

All written documents (writing sample, statement of purpose, letters of recommendation) must be submitted as a Microsoft Word document to gpsadmissions@rosemont.edu

Will this program help me get a job?

Our goal is to teach you what you need to know to help you get a new job or get promoted at your current job. Employers have told us that seeing a graduate publishing degree on a resume makes an impact on them. And while you'll likely still have to face competition for jobs, you'll be able to assure future employers that you've already learned about the functions and responsibilities of the job and can hit the ground running.

How do you take into account how quickly the industry is changing?

Our instructors work in the field in which they teach, and they know about changes in the industry as they're happening, and make sure students do, too. We regularly update our curriculum and add new classes to match industry changes. Recently we added a whole new program: the certificate in ePublishing.

Who are the instructors?

Our instructors are industry professionals who also have extensive academic experience and advanced degrees in their subject. They work hard in the classroom to provide a comprehensive education, and work with students outside of the classroom as well, as thesis sponsors and at special events.

Who are the other students?

Our students range in age and background -- some are right out of college, some have considerable work experience, and the rest are in between! Each brings a passion for the publishing industry and the written word, and a willingness to share and engage in the classroom setting with other students to share ideas, debate new concepts, and build new learning.

What else does Rosemont offer?

We have a beautiful campus in suburban Philadelphia. We offer many opportunities to interact with graduate students and faculty in other programs, such as creative writing and English literature, and we regularly bring in industry professionals to speak to and meet with students.

How do I apply for admission?

Rosemont College School of Graduate Studies welcomes all students, without regard to race, religion, sex, national origin or handicapping conditions. Applicants for the master's degree need to have completed a baccalaureate from an accredited 4-year college or university, preferably with a GPA of at least 3.0. Applicants also provide 3 letters of recommendation, an application fee, official transcripts, and a completed application form. Applicants for the M.A. in English and the M.F.A. in Creative Writing must also submit a writing sample. Application materials are available from the Office of Graduate Studies or from the College website (Apply Online).

Can I take courses as a non-matriculated student?

Students can usually earn up to 6 graduate credits before applying for matriculated status.

I took some graduate courses before coming to Rosemont? Can I transfer any credits?

Applicants who have completed previous graduate work may, at the time they apply for admission, make a written request to transfer a maximum of two 3-credit courses. To be acceptable in transfer, course(s) may not have been previously applied toward a graduate degree and they must provide a good "match" for Rosemont program requirements. Courses may not have been undertaken more than 5 years prior to the request for transfer and the student must have earned at least a "B" (3.0). Pass/Fail courses are not eligible for transfer.

How will I know which courses to take each semester?

Course selection for the fall, spring, and summer sessions must be made in consultation with a program advisor, either in person or by email. The Office of Graduate Studies will subsequently process course registrations. Nine graduate credits are considered a full-time load during the fall and spring; 6 graduate credits are considered a full-time load during each of our two summer sessions.

Can I apply for financial assistance?

Graduate students enrolled in a degree-granting program of study, who are pursuing at least half-time coursework (two courses in the fall or spring; one course in each summer session), are eligible to apply for tuition assistance in the form of Stafford Loans. A limited number of competitive Graduate Assistantships are also available. Rosemont offers several tuition management options, so you can spread your payments out over the course of your program.

How long will it take me to graduate?

Because students may elect to undertake graduate study on a full-time or part-time basis, the number of semesters required to complete all program requirements will vary. Students who pursue full-time study can usually complete their master's degree in less than two years; part-time students usually take longer. All students are permitted up to six years from the time they matriculate to complete their program requirements (extensions may be requested in writing). Commencement exercises are scheduled each year in May.

I still have questions – how can I get more information?

Contact the Office of Graduate and Professional Studies at 610.527.0200 x2958 or 1.888.2ROSEMONT and ask to speak directly with a Graduate Admissions Counselor, who will be happy to set up an individualized appointment at your convenience. Please feel free to contact the Program Director (x2355) with your questions or concerns. We will do our very best to provide you with the assistance you need!

Information contained in this program brochure is accurate as of July 2010.
The College reserves the right to make changes for administrative reasons without prior notice.

Tuition

All tuition charges for programs in the Schools of Graduate and Professional Studies are assessed by the number of credit hours in which you enroll for a given semester – there are no separate fees. When creating your personal budget for your college expenses you will need to estimate costs for books, transportation, and other miscellaneous items. Student loan information is available through the Office of Financial Aid; questions regarding payments and payment plans should be directed to the Office of Student Accounts.

2012-2013 per credit hour: $650

ADMISSIONS Information

gpsadmissions@rosemont.edu
610.526.2966

Office of Admissions
Rosemont College
1400 Montgomery Ave.
Rosemont, PA 19010

Degree Offered

M.A., Master of Arts in Publishing

Concentrations in

  • ePublishing
  • Editorial & Writing
  • Production & Design
  • Sales & Marketing

Certificate Offered

ePublishing

Program Director

Anne Willkomm
Interim Director of Publishing
610.527.0200 x2336
awillkomm@rosemont.edu

Upcoming Events

522

Drop/Add Period ends - Session E (EDU)

528

Memorial Day break - Session E (EDU)

Memorial Day Break (PSY, MFA, LIT, PUB)